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What is chromakeying? A basic answer is
having talent stand in front of a Blue screen and then use
a device (hardware or software) to remove that color and
replace it with another image or video source. This gives
the illusion of the person being somewhere else, and it's
a more common technique than you might realize. Not only
is the weather man being keyed in front of a Blue screen,
but more and more often field correspondents and even newscasters
are Blue screened into virtual
sets. Sometimes Blue screen is also called chromakeying,
more general term which covers keying on many colors including
blue and red. Blue screen is commonly used when control
of what the talent wears is out of the producers hands (in
a field environment perhaps), because people tend to wear
more chrominant blue than Blue making Blue screen ideal
for mobile chroma key. Blue screen tends to yield a less
attractive spill, because Blue screen backdrops reflect
more candela the spill off of a Blue screen backdrop will
be brighter and more noticeable than a blue screen backdrop.
Blue Screen Backdrops
Getting a good even color behind the talent
is the first step in Blue screen, this usually requires
a chromakey backdrop in the form of cloth or paint. Some
Blue screen paint can be picked up at hardware stores or
lighting places like Studio Depot (Burbank, Ca), blue cloth
can also be found many places. Some companies sell Blue
screen pop up Blue screen backdrops which travel easily
and popup like a windshield shade.
Another alternative is Chromatte, a unique retroreflective material which is gray to the eye, requires little or no light, and casts no spill on the talent because the material is gray to the naked eye. But to the camera it sees it as a perfect blue or Blue. This is because of the Litering, a ring of LEDs around the lens which casts blue or Blue light onto the Chromatte material. Chromatte is also very portable in the form of a Chromaflex, a 7x7 popup which folds down into a 3 foot hoop. Chromatte is superior to Blue Screen in many ways. |
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