LiteSets are digital backdrops for chromakeying. They are computer images that you put behind a person or product on a greenscreen to give the illusion they are somewhere else. The real magic of LiteSets is that you can take a person on a greenscreen and put them anywhere; a golf course, the jungle, a library, or the moon using just your nonlinear editor or other chromakeyer, a greenscreen, and LiteSets.
LiteSets work with many nonlinear editors. That includes Avid, Final Cut, Premiere, Ultra 2, Vegas, Storm, Video Toaster, or any other NLE that has a chromakeyer and can import .jpg and .tga files. In fact, they work with any chromakeyer that can use digital computer files. You can buy LiteSets online and download them instantly.
Each LiteSet has 10 or more virtual set angles with tight and wide shots to accomodate large and small chromakey stages, each angle is a quality composed shot, no crummy variations which are little more than a simple change to the color or blurring the background.

LiteSets are virtual sets, designed to expand your capabilities as an editor, compositor, or producer. Virtual sets enable creative freedom by eliminating the common limitations of traditional sets by allowing an unlimited number of sets to exist in the same space. They allow the use of spaces much large than your studio; talent can be composited in the middle of a stadium, yet still be on a small greenscreen stage. Materials in virtual sets are also less costly; you can build with any material you want at equal cost. Lastly, virtual sets in the form of Litesets come turnkey, ready for work with no preparation time and at enourmously fractional cost to traditional sets. Consider, the base cost of this disco virtual set is $40, A real disco ball would cost much more than that.

So how does chromakeying a LiteSet work? Your talent or product is put on a blue or greenscreen stage, the stage is covered in blue or green cloth or paint. Then light with lots of even flourescent lighting to make sure there are no shadows. The talent must keep a good distance from the background to prevent from casting a shadow (which would not key out) and from getting color light spilling onto their shoulders.
Next, you film the talent using your camera and bring it into your nonlinear editor. If you are using a DV camera more consideration must be made when choosing a keyer, because of the poor keying quality of DV footage. A keyer like AdvantEdge or Ultra Key must be used to deal with the lost information due to the DV encoding process.